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Given the recent health issues, it was not a shock to hear that Gregg Allman died on Saturday May 27th. It was, however, very sad news. There had rumors of him being so ill that he had been admitted to a hospice. The family denied the rumor and only said that he died peacefully at his home in Savanah, Georgia.

It was as recent as the end of 2014 that it was announced that The Allman Brothers Band had officially disbanded forever. Many held out hope that they would make yet another comeback as they had before, but this time it was really the end.

The first impression one got when meeting Gregg Allman for the first time was just how quiet and laid back he was. In my encounter with him back stage at the WYSP be-in, he barely spoke above a whisper. Like so many performers who are basically shy his personality completely changed once he was on stage. What you saw and heard was a man that became completely transformed by his playing and singing the music with uncommon passion.

T. Morgan was once again the Grand Marshal for the Philadelphia Bar Association’s 38th Annual 5K Run/Walk held on May 21st, 2017. Thanks to the thousands of people who attended this year's event at Memorial Hall in Fairmount Park. Your participation helped many abused children find more stable lives.

Pictures from this year's event are now posted below!

For pictures of previous runs click here. http://www.tmorganonline.com/index.php/news-events

Thanks again to everyone who helped make this year's run a wonderful success!

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When The Bob Dylan CD SHADOWS IN THE NIGHT was released in 2015 a review was posted on this website. It got a lot of attention and positive feedback from those who visited this site. Since then two more Bob Dylan cover albums of nothing but American standards have been released and readers are wondering why there hasn’t been a review of either of them.

The fact is that there wasn’t any plans to write a review until there was a demand to do one. It must be said upfront that this reviewer is a huge Bob Dylan fan. He is viewed as one as one of the all-time greats in any music history. Is there any award that hasn’t been bestowed on Dylan at this point? Some may feel that these strong feelings about an artist may cloud one’s judgement. This is not the case.

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Has there ever been a band that created more excitement and joy on stage than The J. Geils Band? Now we have lost the name sake of the band. When the band was first created by J. Geils in 1967 they were determined to take blues and R & B to a new level. All the members grew up listening and loving the music that they ended up playing with a passion that brought those songs to a newer heights. These guys knew how to boogie.

It was a while before that Boston boogie sound was embraced by the rest of the world. They spread beyond being a regular act at the famous rock club in Boston known as the Boston Tea Party when a talent scout from Atlantic Records saw them play there and signed the group.

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While there can be endless arguments about who was the starting point of Rock ‘n’ Roll music, there’s no doubt in the minds of music historians that Chuck Berry has more than earned the title of granddaddy of the genre. Regardless of who was first, no one has been more of an influence on those who followed him than Chuck Berry.

Everything is influenced by something that preceded it and this giant of rock music is no different. The early real rock ‘n’ Roll was mainly a blend of two truly unique American forms of music. One was the music that had its birth in the fields of the south as work songs that became the basis for Blues. The other an off shoot of folk and reels dance music that was brought over by the settlers from UK who arrived in the south and became Hillbilly or Country music. It is very hard to determine how the two forms were blended, but in the case of Chuck Berry, the mixing was very much part of a master plan.

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James Cotton, who was given the nickname of “Superharp” because of his virtuosity on the harmonica, died of Pneumonia on March 16, 2017 in his adopted home of Austin, Texas. He was 81 years old. With his passing we have lost one of the last direct links to the golden age of Chicago Blues.

Mr. Cotton was also a link to music further back. When he was a child he learned how to make sounds on the harmonica that sounded like the sounds he heard around him. Sometimes he sounded like a train whistle or a chicken. Other times he tried to sound like the field hollers he learn from his parents and the other sharecroppers working the land on a plantation in Mississippi. His father was also a preacher, so he tried to copy the harmonies of the gospel singers.

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Another sad note on the music front. Richie Ingui, who founded the Philadelphia group The Soul Survivors with his brother Charlie and Kenny Jeremiah, died on Friday, January 13, 2017. How ironic that he died on the unlucky day of Friday the 13th. He and his brother Charlie deserved better luck in the music business. They had much more talent than given credit for over the years.

The brothers started out as The Dedications and released a number of tracks between 1962 and 1964 before changing their name to the Soul Survivors. Legend has it that the name came from the fact that the group had a bad accident on the New Jersey Pike on their way to a gig. After seeing the damage, they were sitting around a table at dinner when someone commented “How did we survive?” The Soul part came from the fact that the young group was very much interested in Soul music. Soon after the name change they signed a deal with Crimson Records in 1965. That is where they first teamed up with the very young team of Gamble and Huff. Another legend from Philly, Joe Tarsia was the engineer. He went on to be the chief engineer and owner of the legendary Sigma Sound Studios in Philadelphia.

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The voice of Emerson, Lake & Palmer has joined his band mate Keith who died just nine months prior. The sad announcement that Greg Lake had succumbed to Cancer was made from London on December 7th.

Very often the contribution that Greg made to music has been overlooked. He was a major figure in the movement that became labeled Progressive Rock. It all started when his mother bought him a guitar at age 12. Within a year he wrote a song that was later recorded by ELP called “Lucky Man”.

While taking guitar lessons he developed a friendship with another student, Robert Fripp. When Robert started a new band called King Crimson, he asked Greg to switch from guitar to bass so he could join the band. Greg agreed to not only play bass, but to sing.

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It was probably the coldest morning we ever had for the John DeBella Turkey Drop, but we were all warmed by the tremendous donations by our listeners. The WMGK DJs were located in various Giant locations throughout the Philadelphia area and John maintained the operation headquarters in front of the Kimmel Center on Broad Street.

At my location in St. David’s we collected over $3,000 and several baskets of turkeys. The final tally is still being done as of this writing since we will continue the drive until the end of the Thanksgiving Weekend. We will update you when have the final numbers.

While we thank all of you for coming by and making this holiday season better for so many people that CITY TEAM helps feed and clothes each year, there were two that I should single out.

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On November 18, 2016 the Broadcast Pioneers of Philadelphia had their Annual Hall of Fame and Person of the Year Awards Dinner. It was held at the Hilton Hotel on City Avenue in Philadelphia. There was a record sold out crowd in attendance to honor those who were selected for the Hall of Fame.

This year the Person of the Year was long time Philly DJ Jerry Blavat.

A video of the entire ceremony can be seen on the Broadcast Pioneers website or by clicking onto the icon located on the front page of our website.

Here is the entire list of 2016 Honorees and some exclusive photos from this year's event taken by Michael Muderick.

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Upon hearing of the death of Mose Allison at the age of 89 my first thought was that we have lost one of the most original talents ever in music. One major reason that Mose wasn’t a huge success during his long and very productive life was he was very hard to put in any one category. Record stores and radio stations love to be able to pigeon hole artists and you couldn’t do that with Allison. Many Jazz lovers felt he was more Blues than Jazz, while Blues lovers felt he was more Jazz than Blues. Hence he was never fully embraced by either camp.

Rock stars loved his music for its off center music and clever lyrics. You can’t help but love lines like “My mind is on vacation, but my mouth is working overtime.” His songs have been recorded by many, among them, The Who, Van Morrison, The Yardbirds, John Mayall, Bonnie Raitt, Elvis Costello, Eric Clapton and The Clash.

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The last time I saw Leon Russell he was the opening act for Bob Dylan. Dylan, like so many of the musicians of this classic rock period, had enormous respect for the man with the long silver hair. Leon had fallen out of the public eye and Bob wanted to give him some a spotlight as a thank you for all he has done. He wasn’t the only one who remembered Leon. Elton John considered Russell to be an influence on him and wanted reward him by doing an album together called THE UNION that gain much praised from the critics. It was another chance to do a comeback tour.

His reputation as a songwriter earned Leon a place in the Songwriters Hall of Fame. He also was honored with an Award for Music Excellence from the Rock and Roll Hall of Fame in 2011. Some of his most noted songs that he wrote were “A Song for You”, “Tightrope” “Lady Blue” and “Delta Lady”.

It was “Delta Lady” that was a big hit for Joe Cocker. The Joe Cocker tour known as the Mad Dogs and English Men tour was a huge success primarily because of the work Leon Russell as music director. Read about that tour in my article about the most memorable concerts in Philadelphia. That same tour led to a popular film and a huge selling double album of their live performances on the tour.

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I still remember the day that the first Leonard Cohen album came across my desk in 1967. There was already talk about him being Canada’s answer to Bob Dylan. That certainly didn’t help. Being compared to Dylan was almost a daily ritual in the press. Most didn’t come close to living up to the hype.

The first cut on the album “Suzanne” soon put those thoughts in the background for me. While Cohen and Dylan both were hardly great singers and both were the best poets for a new generation, they was a stark difference between the two. A comparison was not only unnecessary, but kinda like apples and oranges. For me one thing that they did have in common was their voices certainly fit their music. No one could present their music better or with more feeling in their voices than the authors themselves.

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